1. Summarize your work-in-progress in 10 words or less.Demons save the day! Plucky Nick angsts through life!
2. Post a line from your work-in-progress with no context.“Nick…” Brian batted his eyelashes as he put his hand to his chest, stifling a laugh with his other hand.
3. Does your work-in-progress have a title? If so, explain its significance. If not, what are you calling it for now?Despite me calling it “PNecklace” (call it a lazy holdover from calling the first one “PBox”), it’s actually called Pandora’s Necklace. I always envisioned this second story being called “Pandora’s Necklace” because it really focused on Nick’s journey, more than anything else. Outside of their bodies, demon hearts became gemstones and Nick’s popped out as a necklace. So I guess you could call the story “Nick’s Heart,” but that seems silly in comparison.
4. Describe the setting of your work-in-progress.A “medieval stasis" Asian-inspired fantasy world of suck.
5. Search for the word "knife" in your work-in-progress. If you find it, paste the line and explain the significance.You know, in a “sword and sorcery” world, the word “knife” doesn’t appear at all. “Sword” (or “swords” or “sword-something”) is in it 61 times and “dagger” four times. Since “dagger” is more spiritually akin to knife, I’ll go with that one. And the question doesn’t specify that the first instance needs to be used, so I’ll go with the second, because I like it better:
“That is a price of battle. We own many daggers; they are easily replaced, you are not.”
As always, a key tenet of our heroes’ MO is that some
ones should not be sacrificed for some
things, even when those somethings are the goal. I hesitate to use “people” and “things” because, well… are demons people? A question to ponder… perhaps in our themes and motifs…
6. Search for the word "dream" in your work-in-progress. If you find it, paste the line and explain the significance.“Dream” (or “dreams” or “dreaming” and so on) appears 53 times so far, which is not at all surprising to me since the dichotomy of dreams and nightmares is a recurring motif in the series.
I like the next one better, but it’s less funny without the surrounding context of “other crazy things Nick has said,” so have the following:
The immovable power of fate makes me call out in my dreams.
I mostly think it’s pretty, but it does tie into a theme. Is it fate, Nick, or is it choices? Hmmm...
7. What are you most proud of?Being able to still write it after letting the idea sit for a decade! Once I “retired,” I honestly wasn’t ever sure that I would get back into writing again, let alone finishing an idea that wasn’t even partially on paper. So, I guess thanks to the whole of the PBox series for being pushy?
8. What is your biggest challenge?Not immediately feeling frustrated if it suddenly doesn’t go well. I think in the back of my head, I’m having nightmare flashbacks to my six-month PBox hiatus and how writing went after I finished it. I think if I had more going on besides writing in my free time, I would worry about it a lot less. But, since I don’t really have anywhere to go or anything else to do, I do worry.
9. How would you describe your writing style for your work-in-progress?Plantsing, foreshadowing, and call-backs. Gardening? Like planting things and letting them grow for the next book.
10. How would you describe your work-in-progress' narrative style?Limited third pov. It’s pretty Nick focused in this one, but it still switches between him and Minako like it did before and the other Boys do get their moments to shine. But Nick made it clear a long time ago that he drives this bus.
11. Which character do you have the most in common with?12. Which character do you have the least in common with?None of them? Howie might be the most? Howie is all of us, after all.. There’s bits of me in all of them, but no one where it’s abundantly most or least. Kevin might be the least?
13. Your characters are stranded on a deserted island? What happens?Mass hysteria, lol. I’m kidding. Since no one is actively looking to kill them, I think they’d work together to stay alive while they figured out how to leave. I think they’d be fine? Nick would complain a lot.
14. Have you chosen birthdays for any of your characters? If so, what are they? (Exclude any Boys, because I assume their birthdays in your stories are their birthdays.)I’d call Minako a pisces, so somewhere in the late February to early March timeframe. I don’t think I ever actually picked a birthday for her, because it never came up in the story, haha. Renee’s is some time in August. I haven’t really thought about the other two Pandoras.
15. Do you know your characters' MBTI personalities?Even though I love MBTI, I did not! Until I took the same quiz Julie used on their behalf. (I know mine: ENFJ forever!)
I took it for Nick and started taking it for Minako, but didn’t agree with the result, so I did it again, and then I got tired of looking at it, especially after Nick got it too and they are not the same thing. Clearly I am the turbulent one, lol! Ask me later.
I also took it twice for Nick, I think because I’m so all over the place in the grand scheme of the story, but the only thing that changed was the introverted/extroverted part when I retook it. I guess the difference in growing over the course of the story? I don’t know, I’m not entirely happy with either of these choices either... I guess PBox Nick is either:
The Adventurer (ISFP): Introverted, Observant, Feeling, and Prospecting (plus turbulent)
Adventurer personalities are true artists, but not necessarily in the typical sense where they’re out painting happy little trees. Often enough though, they are perfectly capable of this. Rather, it’s that they use aesthetics, design and even their choices and actions to push the limits of social convention. Adventurers enjoy upsetting traditional expectations with experiments in beauty and behavior – chances are, they’ve expressed more than once the phrase “Don’t box me in!”
The Entertainer (ESFP): Extraverted, Observant, Feeling, and Prospecting (plus turbulent)
If anyone is to be found spontaneously breaking into song and dance, it is the Entertainer personality type. Entertainers get caught up in the excitement of the moment, and want everyone else to feel that way, too. No other personality type is as generous with their time and energy as Entertainers when it comes to encouraging others, and no other personality type does it with such irresistible style.
16. What would your characters be for Halloween?What’s Halloween? lol This is a lazy copout on my part; they are obviously too busy fighting the forces of evil to participate in holidays. Nick would do it because Minako asked, but question every minute of it until he actually got the costume on, then he would love it. AJ would probably be Nick or Kevin, because they would hate it, then he would laugh about it with Brian.
17. Does your work-in-progress have any themes or motifs?Hahahahahahaha
ha, obviously.
Themes: What measure is a non-human?/What measure is a monster?, light versus dark (all incarnations including, but not limited to: the Holy light, light is not good, dark is not evil, the sacred dark, etcetera), Right Makes Might versus Might Makes Right, definitions, fate versus choice, the power of intangible things, sacrifices, strength in true companionship… I could go on, but I’d call a lot of these sub-themes to the big themes of how to define yourself and the world plus another I won’t say.
Motifs: light/darkness, dreams and nightmares, loneliness and togetherness… I guess juxtaposition of opposing things is a motif in and of itself.
18. What's easier, dialogue or description?When I write interesting bits ahead of where I am currently working, I usually end up writing dialogue. So I will say dialogue. I often don’t even add “so and so said” tags unless I have a clear body language thing to convey. Who speaks what is all very clear to me.
19. Post a picture or gif that describes your work-in-progress.This one should work!
https://images.app.goo.gl/NtCi9LSyRSTVj321A20. Post a brief excerpt.A knock sounded at the door.
He turned toward it quickly. “Uh, hang on…” He picked up a crumpled pair of jeans from the floor between the bed and the window, yanking them over each leg as he hopped toward a chair between the door and a large closet. After grabbing the gray sweatshirt slung over the arm, he pulled it over his head quickly before opening the door. “Kevin…”
The second man leaned on his door frame, his black button down shirt contrasting against the dark wood. Kevin narrowed his thick eyebrows against his green eyes as he matched the tone of his voice. “Nick…”
“You’re doing house calls again?” Nick crossed his arms.
He smiled and patted Nick’s shoulder. “Just making sure you’re awake and not staring at that necklace again.”
Nick hung his head.
Kevin lips quirked into a frown. “Well, you’re awake at least. Step one.”
“It… I… That weird dream again…” Nick put his hand to his head, but kept his arms crossed.
Kevin mirrored Nick and crossed his arms as well. “Do you want to talk to someone about it?”
“No, I’ll just sound crazy repeating myself…” Nick shook his head.
“Nick…”
He raised his hands in mock defense. “You keep suggesting that I talk to someone other than you all, you obviously also think I sound crazy… ‘I keep having this dream where I scream for someone I don’t know.’ ‘This weird necklace I had a death grip on when I woke up four months ago… Also a ring!’ ‘No other updates, still don’t know where anything came from.’ Did I forget a crazy sounding thing I’ve said?”
Kevin frowned. “You know I’m just worried about you…”
“Yeah, because it sounds--”
“Because it’s bothering you.” He smirked. “You’ve done plenty of things over the years that seem ‘crazy,’ I’m used to it.”
Nick crossed his arms again and crumpled into himself. “Gee… thanks…”