When I click on this link, it keeps taking me to facebook lol weird.
That is weird! It works for me. I'll just paste the part that applies into here.
Character-Driven or Action-Driven?By Martha Alderson, M.A.
Most writers have a preference for one style of writing over another. Some writers are more adept at developing complex, interesting, and quirky characters. Others excel at page-turning action. The lucky ones are writers who are good at creating both the Character Emotional Development plotline and the Dramatic Action plotline. Become aware of your strength and learn to address your weakness, and you, too, can become one of the lucky ones.
Broadly speaking, writers who prefer writing action-driven stories focus on logical thinking, rational analysis, and accuracy. Action-driven writers tend to rely more on the left side of their brain. These writers approach writing as a linear function and see the story in its parts. Action-driven writers like structure. They usually pre-plot or create an outline before writing. Action-driven writers have little trouble expressing themselves in words.
On the other hand, writers who write character-driven stories tend to focus on aesthetics and feelings, creativity and imagination. These writers access the right side of their brains and enjoy playing with the beauty of language. They are more intuitive, and like to work things out on the page. Character-driven writers are holistic and subjective. They can synthesize new information, but are somewhat (or more) disorganized and random. They see the story as the whole. Right brain writers may know what they mean, but often have trouble finding the right words.
The TestTake the test to see whether you are stronger at developing Character Emotional Development plotlines or Dramatic Action plotlines.
Fill in the Character Emotional Development Plot Profile below for your protagonist (the character who is most changed by the dramatic action), any other major viewpoint characters and, if there is one, the character who represents the major antagonist for the protagonist.
1) Protagonist's overall story goal:
2) What stands in his/her way of achieving this goal:
3) What does he/she stand to lose, if not successful:
4) Flaw or greatest fault:
5) Greatest strength:
6) Hates:
7) Loves:
8) Fear:
9) Secret:
10) Dream:
Results1) Writers who filled out 1-3 with ease prefer writing Dramatic Action.
2) Writers who filled in 4- 10 with ease prefer Character Emotional Development.
3) Writers who filled in everything with ease find both the Dramatic Action and the Character Emotional Development plotlines come easy.
AnalysisWithout a firm understanding of points 1-3, you have no front story. The Dramatic Action plotline is what gets the reader turning the pages. Without it there is no excitement on the page.
Without a firm understanding of points 4-10, you are more likely to line up the action pieces of your story, arrange them in a logical order and then draw conclusions. Yet, no matter how exciting the action, this presentation lacks the human element. Such an omission increases your chances of losing your audience's interest; readers read 70% for character.
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Topic: Fanfic/writing/fandom etc... Question(s) of the day (Read 70207 times)